Glasgow's Necropolis is a Victorian cemetery located on a small hill immediately above the cathedral. The photos were taken over the hour before sunset on a clear and cold Remembrance Sunday.
These are a few of the photos I've taken mostly during various work parties over the last 2 and a bit years so as to document what we're doing at the Lowther Hills Ski Club.
I was fortunate enough to be asked to shoot a morning gathering in Glasgow's Gallery of Modern Art but had a half hour in the afternoon to look around before the bus left to take me back to Moffat. There are some great and thought provoking works on display but it's the amalgam of old and new architecture c/w with soft and sympathetic lighting that adds to the gallery's attraction.
Not long ago, I acquired a Spyder calibration system that makes matching screen colours and prints using my Epson wide format pigment printer a whole lot easier. I've profiled a load of stocks but best of all is that I can now match colour output on Baryta photo paper, inkjet coated fine art papers, coated cotton canvas, and uncoated, rough texture, cold-pressed watercolour paper with its distinctive look and feel, a process that once was more or less trial and error by eye, and even with papers that had manufacturer profiles it was very hit and miss. It's been a revelation and has far surpassed my expectations, with the output on watercolour as good as on the likes of St Cuthbert's Mill Bockingford Fine Art inkjet coated. Lacking a coating, watercolour paper is not as absorbent as inkjet media so its downside is print time, with an A2 sheet taking about 30 minutes due to the long pause I need to set between sequential printhead passes. These are some of my 4" x 6" prints onto Canson Montval Aquarelle 300 gm NOT cold press watercolour.
SSE asked me to capture some photos from Stranraer's inaugural 'Oyster Festival' and it was a fabulous event. The festival organisers, the people of Stranraer, and their funders and supporters should all be proud of what they made happen.